Little Tiny or Thumbelina

Little Tiny or Thumbelina

HERE was once a woman who wished very much to have a little child, but she could not obtain her wish. At last she went to a fairy, and said, “I should so very much like to have a little child; can you tell me where I can find one?”
“Oh, that can be easily managed,” said the fairy. “Here is a barleycorn of a different kind to those which grow in the farmer’s fields, and which the chickens eat; put it into a flower-pot, and see what will happen.”
“Thank you,” said the woman, and she gave the fairy twelve shillings, which was the price of the barleycorn. Then she went home and planted it, and immediately there grew up a large handsome flower, something like a tulip in appearance, but with its leaves tightly closed as if it were still a bud. “It is a beautiful flower,” said the woman, and she kissed the red and golden-colored leaves, and while she did so the flower opened, and she could see that it was a real tulip. Within the flower, upon the green velvet stamens, sat a very delicate and graceful little maiden. She was scarcely half as long as a thumb, and they gave her the name of “Thumbelina,” or Tiny, because she was so small. A walnut-shell, elegantly polished, served her for a cradle; her bed was formed of blue violet-leaves, with a rose-leaf for a counterpane. Here she slept at night, but during the day she amused herself on a table, where the woman had placed a plateful of water. Round this plate were wreaths of flowers with their stems in the water, and upon it floated a large tulip-leaf, which served Tiny for a boat. Here the little maiden sat and rowed herself from side to side, with two oars made of white horse-hair. It really was a very pretty sight. Tiny could, also, sing so softly and sweetly that nothing like her singing had ever before been heard. One night, while she lay in her pretty bed, a large, ugly, wet toad crept through a broken pane of glass in the window, and leaped right upon the table where Tiny lay sleeping under her rose-leaf quilt. “What a pretty little wife this would make for my son,” said the toad, and she took up the walnut-shell in which little Tiny lay asleep, and jumped through the window with it into the garden.
In the swampy margin of a broad stream in the garden lived the toad, with her son. He was uglier even than his mother, and when he saw the pretty little maiden in her elegant bed, he could only cry, “Croak, croak, croak.”
“Don’t speak so loud, or she will wake,” said the toad, “and then she might run away, for she is as light as swan’s down. We will place her on one of the water-lily leaves out in the stream; it will be like an island to her, she is so light and small, and then she cannot escape; and, while she is away, we will make haste and prepare the state-room under the marsh, in which you are to live when you are married.”
Far out in the stream grew a number of water-lilies, with broad green leaves, which seemed to float on the top of the water. The largest of these leaves appeared farther off than the rest, and the old toad swam out to it with the walnut-shell, in which little Tiny lay still asleep. The tiny little creature woke very early in the morning, and began to cry bitterly when she found where she was, for she could see nothing but water on every side of the large green leaf, and no way of reaching the land. Meanwhile the old toad was very busy under the marsh, decking her room with rushes and wild yellow flowers, to make it look pretty for her new daughter-in-law. Then she swam out with her ugly son to the leaf on which she had placed poor little Tiny. She wanted to fetch the pretty bed, that she might put it in the bridal chamber to be ready for her. The old toad bowed low to her in the water, and said, “Here is my son, he will be your husband, and you will live happily in the marsh by the stream.”
“Croak, croak, croak,” was all her son could say for himself; so the toad took up the elegant little bed, and swam away with it, leaving Tiny all alone on the green leaf, where she sat and wept. She could not bear to think of living with the old toad, and having her ugly son for a husband. The little fishes, who swam about in the water beneath, had seen the toad, and heard what she said, so they lifted their heads above the water to look at the little maiden. As soon as they caught sight of her, they saw she was very pretty, and it made them very sorry to think that she must go and live with the ugly toads. “No, it must never be!” so they assembled together in the water, round the green stalk which held the leaf on which the little maiden stood, and gnawed it away at the root with their teeth. Then the leaf floated down the stream, carrying Tiny far away out of reach of land.
Tiny sailed past many towns, and the little birds in the bushes saw her, and sang, “What a lovely little creature;” so the leaf swam away with her farther and farther, till it brought her to other lands. A graceful little white butterfly constantly fluttered round her, and at last alighted on the leaf. Tiny pleased him, and she was glad of it, for now the toad could not possibly reach her, and the country through which she sailed was beautiful, and the sun shone upon the water, till it glittered like liquid gold. She took off her girdle and tied one end of it round the butterfly, and the other end of the ribbon she fastened to the leaf, which now glided on much faster than ever, taking little Tiny with it as she stood. Presently a large cockchafer flew by; the moment he caught sight of her, he seized her round her delicate waist with his claws, and flew with her into a tree. The green leaf floated away on the brook, and the butterfly flew with it, for he was fastened to it, and could not get away.
Oh, how frightened little Tiny felt when the cockchafer flew with her to the tree! But especially was she sorry for the beautiful white butterfly which she had fastened to the leaf, for if he could not free himself he would die of hunger. But the cockchafer did not trouble himself at all about the matter. He seated himself by her side on a large green leaf, gave her some honey from the flowers to eat, and told her she was very pretty, though not in the least like a cockchafer. After a time, all the cockchafers turned up their feelers, and said, “She has only two legs! how ugly that looks.” “She has no feelers,” said another. “Her waist is quite slim. Pooh! she is like a human being.”
“Oh! she is ugly,” said all the lady cockchafers, although Tiny was very pretty. Then the cockchafer who had run away with her, believed all the others when they said she was ugly, and would have nothing more to say to her, and told her she might go where she liked. Then he flew down with her from the tree, and placed her on a daisy, and she wept at the thought that she was so ugly that even the cockchafers would have nothing to say to her. And all the while she was really the loveliest creature that one could imagine, and as tender and delicate as a beautiful rose-leaf. During the whole summer poor little Tiny lived quite alone in the wide forest. She wove herself a bed with blades of grass, and hung it up under a broad leaf, to protect herself from the rain. She sucked the honey from the flowers for food, and drank the dew from their leaves every morning. So passed away the summer and the autumn, and then came the winter,— the long, cold winter. All the birds who had sung to her so sweetly were flown away, and the trees and the flowers had withered. The large clover leaf under the shelter of which she had lived, was now rolled together and shrivelled up, nothing remained but a yellow withered stalk. She felt dreadfully cold, for her clothes were torn, and she was herself so frail and delicate, that poor little Tiny was nearly frozen to death. It began to snow too; and the snow-flakes, as they fell upon her, were like a whole shovelful falling upon one of us, for we are tall, but she was only an inch high. Then she wrapped herself up in a dry leaf, but it cracked in the middle and could not keep her warm, and she shivered with cold. Near the wood in which she had been living lay a corn-field, but the corn had been cut a long time; nothing remained but the bare dry stubble standing up out of the frozen ground. It was to her like struggling through a large wood. Oh! how she shivered with the cold. She came at last to the door of a field-mouse, who had a little den under the corn-stubble. There dwelt the field-mouse in warmth and comfort, with a whole roomful of corn, a kitchen, and a beautiful dining room. Poor little Tiny stood before the door just like a little beggar-girl, and begged for a small piece of barley-corn, for she had been without a morsel to eat for two days.
“You poor little creature,” said the field-mouse, who was really a good old field-mouse, “come into my warm room and dine with me.” She was very pleased with Tiny, so she said, “You are quite welcome to stay with me all the winter, if you like; but you must keep my rooms clean and neat, and tell me stories, for I shall like to hear them very much.” And Tiny did all the field-mouse asked her, and found herself very comfortable.
“We shall have a visitor soon,” said the field-mouse one day; “my neighbor pays me a visit once a week. He is better off than I am; he has large rooms, and wears a beautiful black velvet coat. If you could only have him for a husband, you would be well provided for indeed. But he is blind, so you must tell him some of your prettiest stories.”
But Tiny did not feel at all interested about this neighbor, for he was a mole. However, he came and paid his visit dressed in his black velvet coat.
“He is very rich and learned, and his house is twenty times larger than mine,” said the field-mouse.
He was rich and learned, no doubt, but he always spoke slightingly of the sun and the pretty flowers, because he had never seen them. Tiny was obliged to sing to him, “Lady-bird, lady-bird, fly away home,” and many other pretty songs. And the mole fell in love with her because she had such a sweet voice; but he said nothing yet, for he was very cautious. A short time before, the mole had dug a long passage under the earth, which led from the dwelling of the field-mouse to his own, and here she had permission to walk with Tiny whenever she liked. But he warned them not to be alarmed at the sight of a dead bird which lay in the passage. It was a perfect bird, with a beak and feathers, and could not have been dead long, and was lying just where the mole had made his passage. The mole took a piece of phosphorescent wood in his mouth, and it glittered like fire in the dark; then he went before them to light them through the long, dark passage. When they came to the spot where lay the dead bird, the mole pushed his broad nose through the ceiling, the earth gave way, so that there was a large hole, and the daylight shone into the passage. In the middle of the floor lay a dead swallow, his beautiful wings pulled close to his sides, his feet and his head drawn up under his feathers; the poor bird had evidently died of the cold. It made little Tiny very sad to see it, she did so love the little birds; all the summer they had sung and twittered for her so beautifully. But the mole pushed it aside with his crooked legs, and said, “He will sing no more now. How miserable it must be to be born a little bird! I am thankful that none of my children will ever be birds, for they can do nothing but cry, ‘Tweet, tweet,’ and always die of hunger in the winter.”
“Yes, you may well say that, as a clever man!” exclaimed the field-mouse, “What is the use of his twittering, for when winter comes he must either starve or be frozen to death. Still birds are very high bred.”
Tiny said nothing; but when the two others had turned their backs on the bird, she stooped down and stroked aside the soft feathers which covered the head, and kissed the closed eyelids. “Perhaps this was the one who sang to me so sweetly in the summer,” she said; “and how much pleasure it gave me, you dear, pretty bird.”
The mole now stopped up the hole through which the daylight shone, and then accompanied the lady home. But during the night Tiny could not sleep; so she got out of bed and wove a large, beautiful carpet of hay; then she carried it to the dead bird, and spread it over him; with some down from the flowers which she had found in the field-mouse’s room. It was as soft as wool, and she spread some of it on each side of the bird, so that he might lie warmly in the cold earth. “Farewell, you pretty little bird,” said she, “farewell; thank you for your delightful singing during the summer, when all the trees were green, and the warm sun shone upon us.” Then she laid her head on the bird’s breast, but she was alarmed immediately, for it seemed as if something inside the bird went “thump, thump.” It was the bird’s heart; he was not really dead, only benumbed with the cold, and the warmth had restored him to life. In autumn, all the swallows fly away into warm countries, but if one happens to linger, the cold seizes it, it becomes frozen, and falls down as if dead; it remains where it fell, and the cold snow covers it. Tiny trembled very much; she was quite frightened, for the bird was large, a great deal larger than herself,—she was only an inch high. But she took courage, laid the wool more thickly over the poor swallow, and then took a leaf which she had used for her own counterpane, and laid it over the head of the poor bird. The next morning she again stole out to see him. He was alive but very weak; he could only open his eyes for a moment to look at Tiny, who stood by holding a piece of decayed wood in her hand, for she had no other lantern. “Thank you, pretty little maiden,” said the sick swallow; “I have been so nicely warmed, that I shall soon regain my strength, and be able to fly about again in the warm sunshine.”
“Oh,” said she, “it is cold out of doors now; it snows and freezes. Stay in your warm bed; I will take care of you.”
Then she brought the swallow some water in a flower-leaf, and after he had drank, he told her that he had wounded one of his wings in a thorn-bush, and could not fly as fast as the others, who were soon far away on their journey to warm countries. Then at last he had fallen to the earth, and could remember no more, nor how he came to be where she had found him. The whole winter the swallow remained underground, and Tiny nursed him with care and love. Neither the mole nor the field-mouse knew anything about it, for they did not like swallows. Very soon the spring time came, and the sun warmed the earth. Then the swallow bade farewell to Tiny, and she opened the hole in the ceiling which the mole had made. The sun shone in upon them so beautifully, that the swallow asked her if she would go with him; she could sit on his back, he said, and he would fly away with her into the green woods. But Tiny knew it would make the field-mouse very grieved if she left her in that manner, so she said, “No, I cannot.”
“Farewell, then, farewell, you good, pretty little maiden,” said the swallow; and he flew out into the sunshine.
Tiny looked after him, and the tears rose in her eyes. She was very fond of the poor swallow.
“Tweet, tweet,” sang the bird, as he flew out into the green woods, and Tiny felt very sad. She was not allowed to go out into the warm sunshine. The corn which had been sown in the field over the house of the field-mouse had grown up high into the air, and formed a thick wood to Tiny, who was only an inch in height.
“You are going to be married, Tiny,” said the field-mouse. “My neighbor has asked for you. What good fortune for a poor child like you. Now we will prepare your wedding clothes. They must be both woollen and linen. Nothing must be wanting when you are the mole’s wife.”
Tiny had to turn the spindle, and the field-mouse hired four spiders, who were to weave day and night. Every evening the mole visited her, and was continually speaking of the time when the summer would be over. Then he would keep his wedding-day with Tiny; but now the heat of the sun was so great that it burned the earth, and made it quite hard, like a stone. As soon, as the summer was over, the wedding should take place. But Tiny was not at all pleased; for she did not like the tiresome mole. Every morning when the sun rose, and every evening when it went down, she would creep out at the door, and as the wind blew aside the ears of corn, so that she could see the blue sky, she thought how beautiful and bright it seemed out there, and wished so much to see her dear swallow again. But he never returned; for by this time he had flown far away into the lovely green forest.
When autumn arrived, Tiny had her outfit quite ready; and the field-mouse said to her, “In four weeks the wedding must take place.”
Then Tiny wept, and said she would not marry the disagreeable mole.
“Nonsense,” replied the field-mouse. “Now don’t be obstinate, or I shall bite you with my white teeth. He is a very handsome mole; the queen herself does not wear more beautiful velvets and furs. His kitchen and cellars are quite full. You ought to be very thankful for such good fortune.”
So the wedding-day was fixed, on which the mole was to fetch Tiny away to live with him, deep under the earth, and never again to see the warm sun, because he did not like it. The poor child was very unhappy at the thought of saying farewell to the beautiful sun, and as the field-mouse had given her permission to stand at the door, she went to look at it once more.
“Farewell bright sun,” she cried, stretching out her arm towards it; and then she walked a short distance from the house; for the corn had been cut, and only the dry stubble remained in the fields. “Farewell, farewell,” she repeated, twining her arm round a little red flower that grew just by her side. “Greet the little swallow from me, if you should see him again.”
“Tweet, tweet,” sounded over her head suddenly. She looked up, and there was the swallow himself flying close by. As soon as he spied Tiny, he was delighted; and then she told him how unwilling she felt to marry the ugly mole, and to live always beneath the earth, and never to see the bright sun any more. And as she told him she wept.
“Cold winter is coming,” said the swallow, “and I am going to fly away into warmer countries. Will you go with me? You can sit on my back, and fasten yourself on with your sash. Then we can fly away from the ugly mole and his gloomy rooms,—far away, over the mountains, into warmer countries, where the sun shines more brightly—than here; where it is always summer, and the flowers bloom in greater beauty. Fly now with me, dear little Tiny; you saved my life when I lay frozen in that dark passage.”
“Yes, I will go with you,” said Tiny; and she seated herself on the bird’s back, with her feet on his outstretched wings, and tied her girdle to one of his strongest feathers.
Then the swallow rose in the air, and flew over forest and over sea, high above the highest mountains, covered with eternal snow. Tiny would have been frozen in the cold air, but she crept under the bird’s warm feathers, keeping her little head uncovered, so that she might admire the beautiful lands over which they passed. At length they reached the warm countries, where the sun shines brightly, and the sky seems so much higher above the earth. Here, on the hedges, and by the wayside, grew purple, green, and white grapes; lemons and oranges hung from trees in the woods; and the air was fragrant with myrtles and orange blossoms. Beautiful children ran along the country lanes, playing with large gay butterflies; and as the swallow flew farther and farther, every place appeared still more lovely.
At last they came to a blue lake, and by the side of it, shaded by trees of the deepest green, stood a palace of dazzling white marble, built in the olden times. Vines clustered round its lofty pillars, and at the top were many swallows’ nests, and one of these was the home of the swallow who carried Tiny.
“This is my house,” said the swallow; “but it would not do for you to live there—you would not be comfortable. You must choose for yourself one of those lovely flowers, and I will put you down upon it, and then you shall have everything that you can wish to make you happy.”
“That will be delightful,” she said, and clapped her little hands for joy.
A large marble pillar lay on the ground, which, in falling, had been broken into three pieces. Between these pieces grew the most beautiful large white flowers; so the swallow flew down with Tiny, and placed her on one of the broad leaves. But how surprised she was to see in the middle of the flower, a tiny little man, as white and transparent as if he had been made of crystal! He had a gold crown on his head, and delicate wings at his shoulders, and was not much larger than Tiny herself. He was the angel of the flower; for a tiny man and a tiny woman dwell in every flower; and this was the king of them all.
“Oh, how beautiful he is!” whispered Tiny to the swallow.
The little prince was at first quite frightened at the bird, who was like a giant, compared to such a delicate little creature as himself; but when he saw Tiny, he was delighted, and thought her the prettiest little maiden he had ever seen. He took the gold crown from his head, and placed it on hers, and asked her name, and if she would be his wife, and queen over all the flowers.
This certainly was a very different sort of husband to the son of a toad, or the mole, with my black velvet and fur; so she said, “Yes,” to the handsome prince. Then all the flowers opened, and out of each came a little lady or a tiny lord, all so pretty it was quite a pleasure to look at them. Each of them brought Tiny a present; but the best gift was a pair of beautiful wings, which had belonged to a large white fly and they fastened them to Tiny’s shoulders, so that she might fly from flower to flower. Then there was much rejoicing, and the little swallow who sat above them, in his nest, was asked to sing a wedding song, which he did as well as he could; but in his heart he felt sad for he was very fond of Tiny, and would have liked never to part from her again.
“You must not be called Tiny any more,” said the spirit of the flowers to her. “It is an ugly name, and you are so very pretty. We will call you Maia.”
“Farewell, farewell,” said the swallow, with a heavy heart as he left the warm countries to fly back into Denmark. There he had a nest over the window of a house in which dwelt the writer of fairy tales. The swallow sang, “Tweet, tweet,” and from his song came the whole story.

The Bird of Popular Song

The Bird of Popular Song

It is winter-time. The earth wears a snowy garment, and looks like marble hewn out of the rock; the air is bright and clear; the wind is sharp as a well-tempered sword, and the trees stand like branches of white coral or blooming almond twigs, and here it is keen as on the lofty Alps.
The night is splendid in the gleam of the Northern Lights, and in the glitter of innumerable twinkling stars.
But we sit in the warm room, by the hot stove, and talk about the old times. And we listen to this story:
By the open sea was a giant’s grave; and on the grave-mound sat at midnight the spirit of the buried hero, who had been a king. The golden circlet gleamed on his brow, his hair fluttered in the wind, and he was clad in steel and iron. He bent his head mournfully, and sighed in deep sorrow, as an unquiet spirit might sigh.
And a ship came sailing by. Presently the sailors lowered the anchor and landed. Among them was a singer, and he approached the royal spirit, and said,
“Why mournest thou, and wherefore dost thou suffer thus?”
And the dead man answered,
“No one has sung the deeds of my life; they are dead and forgotten. Song doth not carry them forth over the lands, nor into the hearts of men; therefore I have no rest and no peace.”
And he spoke of his works, and of his warlike deeds, which his contemporaries had known, but which had not been sung, because there was no singer among his companions.
Then the old bard struck the strings of his harp, and sang of the youthful courage of the hero, of the strength of the man, and of the greatness of his good deeds. Then the face of the dead one gleamed like the margin of the cloud in the moonlight. Gladly and of good courage, the form arose in splendor and in majesty, and vanished like the glancing of the northern light. Nought was to be seen but the green turfy mound, with the stones on which no Runic record has been graven; but at the last sound of the harp there soared over the hill, as though he had fluttered from the harp, a little bird, a charming singing-bird, with ringing voice of the thrush, with the moving voice pathos of the human heart, with a voice that told of home, like the voice that is heard by the bird of passage. The singing-bird soared away, over mountain and valley, over field and wood—he was the Bird of Popular Song, who never dies.
We hear his song—we hear it now in the room while the white bees are swarming without, and the storm clutches the windows. The bird sings not alone the requiem of heroes; he sings also sweet gentle songs of love, so many and so warm, of Northern fidelity and truth. He has stories in words and in tones; he has proverbs and snatches of proverbs; songs which, like Runes laid under a dead man’s tongue, force him to speak; and thus Popular Song tells of the land of his birth.
In the old heathen days, in the times of the Vikings, the popular speech was enshrined in the harp of the bard.
In the days of knightly castles, when the strongest fist held the scales of justice, when only might was right, and a peasant and a dog were of equal importance, where did the Bird of Song find shelter and protection? Neither violence nor stupidity gave him a thought.
But in the gabled window of the knightly castle, the lady of the castle sat with the parchment roll before her, and wrote down the old recollections in song and legend, while near her stood the old woman from the wood, and the travelling peddler who went wandering through the country. As these told their tales, there fluttered around them, with twittering and song, the Bird of Popular Song, who never dies so long as the earth has a hill upon which his foot may rest.
And now he looks in upon us and sings. Without are the night and the snow-storm. He lays the Runes beneath our tongues, and we know the land of our home. Heaven speaks to us in our native tongue, in the voice of the Bird of Popular Song. The old remembrances awake, the faded colors glow with a fresh lustre, and story and song pour us a blessed draught which lifts up our minds and our thoughts, so that the evening becomes as a Christmas festival.
The snow-flakes chase each other, the ice cracks, the storm rules without, for he has the might, he is lord—but not the LORD OF ALL.
It is winter time. The wind is sharp as a two-edged sword, the snow-flakes chase each other; it seems as though it had been snowing for days and weeks, and the snow lies like a great mountain over the whole town, like a heavy dream of the winter night. Everything on the earth is hidden away, only the golden cross of the church, the symbol of faith, arises over the snow grave, and gleams in the blue air and in the bright sunshine.
And over the buried town fly the birds of heaven, the small and the great; they twitter and they sing as best they may, each bird with his beak.
First comes the band of sparrows: they pipe at every trifle in the streets and lanes, in the nests and the houses; they have stories to tell about the front buildings and the back buildings.
“We know the buried town,” they say; “everything living in it is piep! piep! piep!”
The black ravens and crows flew on over the white snow.
“Grub, grub!” they cried. “There’s something to be got down there; something to swallow, and that’s most important. That’s the opinion of most of them down there, and the opinion is goo-goo-good!”
The wild swans come flying on whirring pinions, and sing of the noble and the great, that will still sprout in the hearts of men, down in the town which is resting beneath its snowy veil.
No death is there—life reigns yonder; we hear it on the notes that swell onward like the tones of the church organ, which seize us like sounds from the elf-hill, like the songs of Ossian, like the rushing swoop of the wandering spirits’ wings. What harmony! That harmony speaks to our hearts, and lifts up our souls! It is the Bird of Popular Song whom we hear.
And at this moment the warm breath of heaven blows down from the sky. There are gaps in the snowy mountains, the sun shines into the clefts; spring is coming, the birds are returning, and new races are coming with the same home sounds in their hearts.
Hear the story of the year: “The night of the snow-storm, the heavy dream of the winter night, all shall be dissolved, all shall rise again in the beauteous notes of the Bird of Popular Song, who never dies!”

The Pea Blossom

The Pea Blossom

There were once five peas in one shell, they were green, the shell was green, and so they believed that the whole world must be green also, which was a very natural conclusion. The shell grew, and the peas grew, they accommodated themselves to their position, and sat all in a row. The sun shone without and warmed the shell, and the rain made it clear and transparent; it was mild and agreeable in broad daylight, and dark at night, as it generally is; and the peas as they sat there grew bigger and bigger, and more thoughtful as they mused, for they felt there must be something else for them to do.
“Are we to sit here forever?” asked one; “shall we not become hard by sitting so long? It seems to me there must be something outside, and I feel sure of it.”
And as weeks passed by, the peas became yellow, and the shell became yellow.
“All the world is turning yellow, I suppose,” said they,—and perhaps they were right.
Suddenly they felt a pull at the shell; it was torn off, and held in human hands, then slipped into the pocket of a jacket in company with other full pods.
“Now we shall soon be opened,” said one,—just what they all wanted.
“I should like to know which of us will travel furthest,” said the smallest of the five; “we shall soon see now.”
“What is to happen will happen,” said the largest pea.
“Crack” went the shell as it burst, and the five peas rolled out into the bright sunshine. There they lay in a child’s hand. A little boy was holding them tightly, and said they were fine peas for his pea-shooter. And immediately he put one in and shot it out.
“Now I am flying out into the wide world,” said he; “catch me if you can;” and he was gone in a moment.
“I,” said the second, “intend to fly straight to the sun, that is a shell that lets itself be seen, and it will suit me exactly;” and away he went.
“We will go to sleep wherever we find ourselves,” said the two next, “we shall still be rolling onwards;” and they did certainly fall on the floor, and roll about before they got into the pea-shooter; but they were put in for all that. “We shall go farther than the others,” said they.
“What is to happen will happen,” exclaimed the last, as he was shot out of the pea-shooter; and as he spoke he flew up against an old board under a garret-window, and fell into a little crevice, which was almost filled up with moss and soft earth. The moss closed itself round him, and there he lay, a captive indeed, but not unnoticed by God.
“What is to happen will happen,” said he to himself.
Within the little garret lived a poor woman, who went out to clean stoves, chop wood into small pieces and perform such-like hard work, for she was strong and industrious. Yet she remained always poor, and at home in the garret lay her only daughter, not quite grown up, and very delicate and weak. For a whole year she had kept her bed, and it seemed as if she could neither live nor die.
“She is going to her little sister,” said the woman; “I had but the two children, and it was not an easy thing to support both of them; but the good God helped me in my work, and took one of them to Himself and provided for her. Now I would gladly keep the other that was left to me, but I suppose they are not to be separated, and my sick girl will very soon go to her sister above.” But the sick girl still remained where she was, quietly and patiently she lay all the day long, while her mother was away from home at her work.
Spring came, and one morning early the sun shone brightly through the little window, and threw its rays over the floor of the room. just as the mother was going to her work, the sick girl fixed her gaze on the lowest pane of the window—“Mother,” she exclaimed, “what can that little green thing be that peeps in at the window? It is moving in the wind.”
The mother stepped to the window and half opened it. “Oh!” she said, “there is actually a little pea which has taken root and is putting out its green leaves. How could it have got into this crack? Well now, here is a little garden for you to amuse yourself with.” So the bed of the sick girl was drawn nearer to the window, that she might see the budding plant; and the mother went out to her work.
“Mother, I believe I shall get well,” said the sick child in the evening, “the sun has shone in here so brightly and warmly to-day, and the little pea is thriving so well: I shall get on better, too, and go out into the warm sunshine again.”
“God grant it!” said the mother, but she did not believe it would be so. But she propped up with the little stick the green plant which had given her child such pleasant hopes of life, so that it might not be broken by the winds; she tied the piece of string to the window-sill and to the upper part of the frame, so that the pea-tendrils might twine round it when it shot up. And it did shoot up, indeed it might almost be seen to grow from day to day.
“Now really here is a flower coming,” said the old woman one morning, and now at last she began to encourage the hope that her sick daughter might really recover. She remembered that for some time the child had spoken more cheerfully, and during the last few days had raised herself in bed in the morning to look with sparkling eyes at her little garden which contained only a single pea-plant. A week after, the invalid sat up for the first time a whole hour, feeling quite happy by the open window in the warm sunshine, while outside grew the little plant, and on it a pink pea-blossom in full bloom. The little maiden bent down and gently kissed the delicate leaves. This day was to her like a festival.
“Our heavenly Father Himself has planted that pea, and made it grow and flourish, to bring joy to you and hope to me, my blessed child,” said the happy mother, and she smiled at the flower, as if it had been an angel from God.
But what became of the other peas? Why the one who flew out into the wide world, and said, “Catch me if you can,” fell into a gutter on the roof of a house, and ended his travels in the crop of a pigeon. The two lazy ones were carried quite as far, for they also were eaten by pigeons, so they were at least of some use; but the fourth, who wanted to reach the sun, fell into a sink and lay there in the dirty water for days and weeks, till he had swelled to a great size.
“I am getting beautifully fat,” said the pea, “I expect I shall burst at last; no pea could do more that that, I think; I am the most remarkable of all the five which were in the shell.” And the sink confirmed the opinion.
But the young maiden stood at the open garret window, with sparkling eyes and the rosy hue of health on her cheeks, she folded her thin hands over the pea-blossom, and thanked God for what He had done.
“I,” said the sink, “shall stand up for my pea.”

The Money-Box

The Money-Box

In a nursery where a number of toys lay scattered about, a money-box stood on the top of a very high wardrobe. It was made of clay in the shape of a pig, and had been bought of the potter. In the back of the pig was a slit, and this slit had been enlarged with a knife, so that dollars, or crown pieces, might slip through; and, indeed there were two in the box, besides a number of pence. The money-pig was stuffed so full that it could no longer rattle, which is the highest state of perfection to which a money-pig can attain. There he stood upon the cupboard, high and lofty, looking down upon everything else in the room. He knew very well that he had enough inside him to buy up all the other toys, and this gave him a very good opinion of his own value. The rest thought of this fact also, although they did not express it, for there were so many other things to talk about. A large doll, still handsome, though rather old, for her neck had been mended, lay inside one of the drawers which was partly open. She called out to the others, “Let us have a game at being men and women, that is something worth playing at.”
Upon this there was a great uproar; even the engravings, which hung in frames on the wall, turned round in their excitement, and showed that they had a wrong side to them, although they had not the least intention to expose themselves in this way, or to object to the game. It was late at night, but as the moon shone through the windows, they had light at a cheap rate. And as the game was now to begin, all were invited to take part in it, even the children’s wagon, which certainly belonged to the coarser playthings. “Each has its own value,” said the wagon; “we cannot all be noblemen; there must be some to do the work.”
The money-pig was the only one who received a written invitation. He stood so high that they were afraid he would not accept a verbal message. But in his reply, he said, if he had to take a part, he must enjoy the sport from his own home; they were to arrange for him to do so; and so they did. The little toy theatre was therefore put up in such a way that the money-pig could look directly into it. Some wanted to begin with a comedy, and afterwards to have a tea party and a discussion for mental improvement, but they commenced with the latter first. The rocking-horse spoke of training and races; the wagon of railways and steam power, for these subjects belonged to each of their professions, and it was right they should talk of them. The clock talked politics—“tick, tick;” he professed to know what was the time of day, but there was a whisper that he did not go correctly. The bamboo cane stood by, looking stiff and proud: he was vain of his brass ferrule and silver top, and on the sofa lay two worked cushions, pretty but stupid. When the play at the little theatre began, the rest sat and looked on; they were requested to applaud and stamp, or crack, when they felt gratified with what they saw. But the riding-whip said he never cracked for old people, only for the young who were not yet married. “I crack for everybody,” said the cracker.
“Yes, and a fine noise you make,” thought the audience, as the play went on.
It was not worth much, but it was very well played, and all the characters turned their painted sides to the audience, for they were made only to be seen on one side. The acting was wonderful, excepting that sometimes they came out beyond the lamps, because the wires were a little too long. The doll, whose neck had been darned, was so excited that the place in her neck burst, and the money-pig declared he must do something for one of the players, as they had all pleased him so much. So he made up his mind to remember one of them in his will, as the one to be buried with him in the family vault, whenever that event should happen. They all enjoyed the comedy so much, that they gave up all thoughts of the tea party, and only carried out their idea of intellectual amusement, which they called playing at men and women; and there was nothing wrong about it, for it was only play. All the while, each one thought most of himself, or of what the money-pig could be thinking. His thoughts were on, as he supposed, a very distant time—of making his will, and of his burial, and of when it might all come to pass. Certainly sooner than he expected—for all at once down he came from the top of the press, fell on the ground, and was broken to pieces. Then the pennies hopped and danced about in the most amusing manner. The little ones twirled round like tops, and the large ones rolled away as far as they could, especially the one great silver crown piece who had often to go out into the world, and now he had his wish as well as all the rest of the money. The pieces of the money-pig were thrown into the dust-bin, and the next day there stood a new money-pig on the cupboard, but it had not a farthing in its inside yet, and therefore, like the old one, it could not rattle. This was the beginning with him, and we will make it the end of our story.

The Last Pearl

The Last Pearl

We are in a rich, happy house, where the master, the servants, the friends of the family are full of joy and felicity. For on this day a son and heir has been born, and mother and child are doing well. The lamp in the bed-chamber had been partly shaded, and the windows were covered with heavy curtains of some costly silken material. The carpet was thick and soft, like a covering of moss. Everything invited to slumber, everything had a charming look of repose; and so the nurse had discovered, for she slept; and well she might sleep, while everything around her told of happiness and blessing. The guardian angel of the house leaned against the head of the bed; while over the child was spread, as it were, a net of shining stars, and each star was a pearl of happiness. All the good stars of life had brought their gifts to the newly born; here sparkled health, wealth, fortune, and love; in short, there seemed to be everything for which man could wish on earth.
“Everything has been bestowed here,” said the guardian angel.
“No, not everything,” said a voice near him—the voice of the good angel of the child; “one fairy has not yet brought her gift, but she will, even if years should elapse, she will bring her gift; it is the last pearl that is wanting.”
“Wanting!” cried the guardian angel; “nothing must be wanting here; and if it is so, let us fetch it; let us seek the powerful fairy; let us go to her.”
“She will come, she will come some day unsought!”
“Her pearl must not be missing; it must be there, that the crown, when worn, may be complete. Where is she to be found? Where does she dwell?” said the guardian angel. “Tell me, and I will procure the pearl.”
“Will you do that?” replied the good angel of the child. “Then I will lead you to her directly, wherever she may be. She has no abiding place; she rules in the palace of the emperor, sometimes she enters the peasant’s humble cot; she passes no one without leaving a trace of her presence. She brings her gift with her, whether it is a world or a bauble. To this child she must come. You think that to wait for this time would be long and useless. Well, then, let us go for this pearl—the only one lacking amidst all this wealth.”
Then hand-in-hand they floated away to the spot where the fairy was now lingering. It was in a large house with dark windows and empty rooms, in which a peculiar stillness reigned. A whole row of windows stood open, so that the rude wind could enter at its pleasure, and the long white curtains waved to and fro in the current of air. In the centre of one of the rooms stood an open coffin, in which lay the body of a woman, still in the bloom of youth and very beautiful. Fresh roses were scattered over her. The delicate folded hands and the noble face glorified in death by the solemn, earnest look, which spoke of an entrance into a better world, were alone visible. Around the coffin stood the husband and children, a whole troop, the youngest in the father’s arms. They were come to take a last farewell look of their mother. The husband kissed her hand, which now lay like a withered leaf, but which a short time before had been diligently employed in deeds of love for them all. Tears of sorrow rolled down their cheeks, and fell in heavy drops on the floor, but not a word was spoken. The silence which reigned here expressed a world of grief. With silent steps, still sobbing, they left the room. A burning light remained in the room, and a long, red wick rose far above the flame, which fluttered in the draught of air. Strange men came in and placed the lid of the coffin over the dead, and drove the nails firmly in; while the blows of the hammer resounded through the house, and echoed in the hearts that were bleeding.
“Whither art thou leading me?” asked the guardian angel. “Here dwells no fairy whose pearl could be counted amongst the best gifts of life.”
“Yes, she is here; here in this sacred hour,” replied the angel, pointing to a corner of the room; and there,—where in her life-time, the mother had taken her seat amidst flowers and pictures: in that spot, where she, like the blessed fairy of the house, had welcomed husband, children, and friends, and, like a sunbeam, had spread joy and cheerfulness around her, the centre and heart of them all,—there, in that very spot, sat a strange woman, clothed in long, flowing garments, and occupying the place of the dead wife and mother. It was the fairy, and her name was “Sorrow.” A hot tear rolled into her lap, and formed itself into a pearl, glowing with all the colors of the rainbow. The angel seized it: the, pearl glittered like a star with seven-fold radiance. The pearl of Sorrow, the last, which must not be wanting, increases the luster, and explains the meaning of all the other pearls.
“Do you see the shimmer of the rainbow, which unites earth to heaven?” So has there been a bridge built between this world and the next. Through the night of the grave we gaze upwards beyond the stars to the end of all things. Then we glance at the pearl of Sorrow, in which are concealed the wings which shall carry us away to eternal happiness.

THE LITTLE MATCHGIRL

THE LITTLE MATCHGIRL

Once upon a time . . . a little girl tried to make a living by selling matches in the street.
It was New Year's Eve and the snowclad streets were deserted. From brightly lit windows came the tinkle of laughter and the sound of singing. People were getting ready to bring in the New Year. But the poor little matchseller sat sadly beside the fountain. Her ragged dress and worn shawl did not keep out the cold and she tried to keep her bare feet from touching the frozen ground. She hadn't sold one box of matches all day and she was frightened to go home, for her father would certainly be angry. It wouldn't be much warmer anyway, in the draughty attic that was her home. The little girl's fingers were stiff with cold. If only she could light a match! But what would her father say at such a waste! Falteringly she took out a match and lit it. What a nice warm flame! The little matchseller cupped her hand over it, and as she did so, she magically saw in its light a big brightly burning stove.
She held out her hands to the heat, but just then the match went out and the vision faded. The night seemed blacker than before and it was getting colder. A shiver ran through the little girl's thin body.
After hesitating for a long time, she struck another match on the wall, and this time, the glimmer turned the wall into a great sheet of crystal. Beyond that stood a fine table laden with food and lit by a candlestick. Holding out her arms towards the plates, the little matchseller seemed to pass through the glass, but then the match went out and the magic faded. Poor thing: in just a few seconds she had caught a glimpse of everything that life had denied her: warmth and good things to eat. Her eyes filled with tears and she lifted her gaze to the lit windows, praying that she too might know a little of such happiness.
She lit the third match and an even more wonderful thing happened. There stood a Christmas tree hung with hundreds of candles, glittering with tinsel and coloured balls. "Oh, how lovely!" exclaimed the little matchseller, holding up the match. Then, the match burned her finger and flickered out. The light from the Christmas candles rose higher and higher, then one of the lights fell, leaving a trail behind it. "Someone is dying," murmured the little girl, as she remembered her beloved Granny who used to say: "When a star falls, a heart stops beating!"
Scarcely aware of what she was doing, the little matchseller lit another match. This time, she saw her grandmother.
"Granny, stay with me!" she pleaded, as she lit one match after the other, so that her grandmother could not disappear like all the other visions. However, Granny did not vanish, but gazed smilingly at her. Then she opened her arms and the little girl hugged her crying: "Granny, take me away with you!"
A cold day dawned and a pale sun shone on the fountain and the icy road. Close by lay the lifeless body of a little girl surrounded by spent matches. "
Poor little thing!" exclaimed the passersby. "She was trying to keep warm!"
But by that time, the little matchseller was far away where there is neither cold, hunger nor pain.

BREMEN TOWN MUSICIANS

Bremen Town Musicians

A certain man had a donkey, which had carried the corn-sacks to the mill indefatigably for many a long year. But his strength was going, and he was growing more and more unfit for work. Then his master began to consider how he might best save his keep. But the donkey, seeing that no good wind was blowing, ran away and set out on the road to Bremen. There, he thought, I can surely be a town-musician.
When he had walked some distance, he found a hound lying on the road, gasping like one who had run till he was tired. What are you gasping so for, you big fellow, asked the donkey.
"Ah," replied the hound, as I am old, and daily grow weaker, and no longer can hunt, my master wanted to kill me, so I took to flight, but now how am I to earn my bread."
"I tell you what," said the donkey, "I am going to Bremen, and shall be town-musician there. Go with me and engage yourself also as a musician. I will play the lute, and you shall beat the kettle-drum."
The hound agreed, and on they went. Before long they came to a cat, sitting on the path, with a face like three rainy days. "Now then, old shaver, what has gone askew with you," asked the donkey.
"Who can be merry when his neck is in danger," answered the cat. "Because I am now getting old, and my teeth are worn to stumps, and I prefer to sit by the fire and spin, rather than hunt about after mice, my mistress wanted to drown me, so I ran away. But now good advice is scarce. Where am I to go."
"Go with us to Bremen. You understand night-music, you can be a town-musician."
The cat thought well of it, and went with them. After this the three fugitives came to a farm-yard, where the cock was sitting upon the gate, crowing with all his might.
"Your crow goes through and through one," said the donkey. "What is the matter?"
"I have been foretelling fine weather, because it is the day on which our lady washes the christ-child's little shirts, and wants to dry them," said the cock. "But guests are coming for sunday, so the housewife has no pity, and has told the cook that she intends to eat me in the soup to-morrow, and this evening I am to have my head cut off. Now I am crowing at the top of my lungs while still I can."
"Ah, but red-comb," said the donkey, "you had better come away with us. We are going to Bremen. You can find something better than death everywhere. You have a good voice, and if we make music together it must have some quality."
The cock agreed to this plan, and all four went on together. They could not reach the city of Bremen in one day, however, and in the evening they came to a forest where they meant to pass the night. The donkey and the hound laid themselves down under a large tree, the cat and the cock settled themselves in the branches. But the cock flew right to the top, where he was most safe.
Before he went to sleep he looked round on all four sides, and thought he saw in the distance a little spark burning. So he called out to his companions that there must be a house not far off, for he saw a light.
The donkey said, "If so, we had better get up and go on, for the shelter here is bad." The hound thought too that a few bones with some meat on would do him good.
So they made their way to the place where the light was, and soon saw it shine brighter and grow larger, until they came to a well-lighted robbers, house. The donkey, as the biggest, went to the window and looked in.
"What do you see, my grey-horse?" asked the cock.
"What do I see?" answered the donkey. "A table covered with good things to eat and drink, and robbers sitting at it enjoying themselves."
"That would be the sort of thing for us," said the cock.
Then the animals took counsel together how they should manage to drive away the robbers, and at last they thought of a plan. The donkey was to place himself with his fore-feet upon the window-ledge, the hound was to jump on the donkey's back, the cat was to climb upon the dog, and lastly the cock was to fly up and perch upon the head of the cat.
When this was done, at a given signal, they began to perform their music together. The donkey brayed, the hound barked, the cat mewed, and the cock crowed. Then they burst through the window into the room, shattering the glass.
At this horrible din, the robbers sprang up, thinking no otherwise than that a ghost had come in, and fled in a great fright out into the forest.
The four companions now sat down at the table, well content with what was left, and ate as if they were going to fast for a month.
As soon as the four minstrels had done, they put out the light, and each sought for himself a sleeping-place according to his nature and what suited him. The donkey laid himself down upon some straw in the yard, the hound behind the door, the cat upon the hearth near the warm ashes, and the cock perched himself upon a beam of the roof. And being tired from their long walk, they soon went to sleep.
When it was past midnight, and the robbers saw from afar that the light was no longer burning in their house, and all appeared quiet, the captain said, we ought not to have let ourselves be frightened out of our wits, and ordered one of them to go and examine the house.
The messenger finding all still, went into the kitchen to light a candle, and, taking the glistening fiery eyes of the cat for live coals, he held a lucifer-match to them to light it. But the cat did not understand the joke, and flew in his face, spitting and scratching. He was dreadfully frightened, and ran to the back-door, but the dog, who lay there sprang up and bit his leg. And as he ran across the yard by the dunghill, the donkey gave him a smart kick with its hind foot. The cock, too, who had been awakened by the noise, and had become lively, cried down from the beam, "Cock-a-doodle-doo."
Then the robber ran back as fast as he could to his captain, and said, "Ah, there is a horrible witch sitting in the house, who spat on me and scratched my face with her long claws. And by the door stands a man with a knife, who stabbed me in the leg. And in the yard there lies a black monster, who beat me with a wooden club. And above, upon the roof, sits the judge, who called out, bring the rogue here to me. So I got away as well as I could."
After this the robbers never again dared enter the house. But it suited the four musicians of Bremen so well that they did not care to leave it any more.